tag:blogger.com,1999:blog-89090731146502362172024-03-13T02:18:49.310-07:00憂鬱甜品 (Dark Dessert)建筑設計師Raymond Chan 先生 墨寶hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.comBlogger158125tag:blogger.com,1999:blog-8909073114650236217.post-59414296703283694622018-02-17T12:03:00.000-08:002018-02-17T13:01:19.725-08:00小克網頁,剪存作家舊作品的寶藏http://www.cheungkinghung.com/archive_ShumQuanan_poetry02.html<br />
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這是小克的網頁,歡迎大家進入尋寶,因爲頁內頗多舊報的剪存,都是作家們昔日的作品,現在有機會出土。網站內當然包括小克本人的寫作資料,十分豐富。<br />
這一頁,有我的兩首中文詩,和一首英文詩。<br />
1969年寫的,49年前的《眉是樹》,詩中的女孩,今天安好嗎?<span class="text_exposed_hide" style="display: inline-block; font-family: inherit; margin-right: 4px;">⋯⋯</span></div>
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hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-51043751454673278312018-01-03T22:14:00.001-08:002018-01-04T01:17:56.523-08:00<div style="-en-clipboard: true;">
【香港小說特輯Mode】<br />
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「香港文學」出版了三十三年了。33,好兆頭,三三不盡也。</div>
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一如既往,2018年第一期,全部篇幅刊載了一個特輯:「香港作家小說專號」。</div>
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今屆共二十位作家。</div>
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一年一度的「展示」,全因總編陶然先生多年來的堅持與努力的結果。</div>
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不妨坦白自爆,這一期我閱讀專號作品的數目,是過去之最的。有人在困局中寫作,給人的感覺是永遠躲在衣櫃內呼吸。有人喜歡窮追情節布局,更有人沉醉繡花筆法,把文字當作攝影機。有些寫得太短,同樣有些寫得過長。有些的功力,不如寫散文算了。又有人從出道以來,語言方面並未進步過。</div>
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我個人的看法,只有一位作家帶給我驚喜,就是謝曉虹的《響》。「正」成點?大家棒場買番本雜誌讀讀吧。</div>
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至於我自己的一篇,《記憶記憶黑天鵝》,都算寫得辛苦,改了又改,起初,稿在腹中的時間也很長。通常老編會給我們兩個月時間的。三個月前我已開始構思的了。成果如何,歡迎批評。<br />
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hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-46097470704586626432017-12-18T11:46:00.001-08:002017-12-18T11:50:07.766-08:00在戲台上點火<br />
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岑金倩這作品很快巳成暢銷書,將再版。這書勾起了我少年對粵劇產生興趣的回憶。原稿刋于明報[星期日生活]版。<br />
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在戲臺上點火──淺談《戲台前後七十年:粵劇班政李奇峰》/崑南《戲臺前後七十年:粵劇班政李奇峰》這本書 拿在手中,翻上幾頁,竟然產生親切、熟悉的感覺,實在有點意外。還以爲是沉悶的文本,傳記式的敘述,從來不是我的一杯茶。事實並非如此。一個很好的開頭, 「鑑潮叔弄璋之喜」這個引子,第一行:1935年香港,正 ...(請按以下的link)<br />
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<a href="http://hklit.com/forum/forum.php?mod=viewthread&tid=11407#.Wjgak_FDsqw.blogger">在戲台上點火──淺談《戲台前後七十年:粵劇班政李奇峰》</a>:hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com2tag:blogger.com,1999:blog-8909073114650236217.post-92159416683419377192017-11-29T18:16:00.000-08:002017-11-29T18:16:19.807-08:00重看中華作家系列:《天堂倒置腳下》【兩個年頭的回憶 Mode】<br />
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<b>重看《天堂倒置腳下》</b><br />
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<a href="http://www.rthk.hk/tv/dtt31/programme/outstandingchinesewriters2/episode/386087">請看片:天堂倒置腳下</a><br />
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<span style="font-size: 12pt; font-weight: bold;">伍</span><span style="font-family: "segoe ui"; font-size: 18px; font-weight: bold; line-height: 18.399999618530273px;">自禎先生</span><span style="font-size: 12pt; font-weight: bold;">導演拍《天堂倒置腳下》(港臺的華人作家系列),轉眼兩個年頭過去了,拍攝的時間是一年,完成後,公開播映距今又一年。說起來,首播那晚,我看過一次,兩年來,就是這一次。今天,一年之後,剛剛纔再看第二次。</span></div>
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<span style="font-size: 18px; font-weight: bold; line-height: 18.399999618530273px;">自己也料不到,看過,心頭湧現了許多層次不同的傷感。整部片,都是別人眼中的我。我的確需要再一次感謝參與這個製作的每一個人。第一個是伍導演,當時,我料不到他真的先把我的作品全看了。經過他的消化,他成功地透過他的鏡頭,恰當地呈現出我筆下文字中所創造的世界。所以,他的拍攝手法是十分「小說化」的。他把《地 的門》、《戲鯨的風流》、《天堂舞哉足下》的主題片斷前後穿插得天衣無縫,背景音樂與剪接方面,下了不少功夫,綜合構成了一個真實與虛擬的孿生情節,令人分不開,究竟那個我是作家本身或只不過是作家筆下的人物呢?</span></div>
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<span style="font-size: 18px; font-weight: bold; line-height: 18.399999618530273px;">負責旁白的陳逸寧小姐的聲線情感到家、傳神,加強整個故事的可信性。我好著迷,小說中的女主角彷佛從畫面跳進我的懷裏。三位先生(陳國球、宋子江、朗天)的評述,每一句對於理解我的作品的確有很大的幫助。當然,觀眾絕對有自由表示不認同,這是不重要的。藝術從來是多元的。感謝他們,還要感謝負責攝影的成哥,在威尼斯與澳門的期間,工作無論如何幸勞,他都保持豪邁的笑聲,帶來興奮。</span></div>
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<span style="font-size: 18px; font-weight: bold; line-height: 18.399999618530273px;">當我再看此片之後,我的感覺是這樣:崑南不是什麼,可能崑南不是崑南,崑南只活在他筆下小說之中。</span></div>
hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-47175508953577083722017-10-09T16:25:00.002-07:002017-10-09T16:25:37.201-07:00「星海觀瀾」:花花公子海夫納老尚風流是壽徵?【星海觀瀾Mode】<br />
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當年我是「花花公子」的長期讀者。<br />
當年沒有互聯網,每月只能按時前往專售外國雜誌的店子購買。兔 女郎當然是重點之一,此雜誌不是推廣裸女照片這麼簡單,有關新文化的報導,實在不少。最令我神往是每期的「專訪」文章,還記得一期專訪馬龍白蘭度,記者七日七夜貼身進行觀察訪問 後纔完成的。看得津津有味。<br />
我與「花花公子」始終有緣,當在香港出版 中文版時,我還有機會爲創刊號寫占星文章,談哈雷彗星對人類的影響。<br />
「花花公子」創辦人海夫納,確是一個傳奇人物,在某一個程度上,曾地我偶像 之一。最近他的去世,難免勾起連串的記憶 。實在忍不住找來他的出生資料,看一下他星盤,可以告訴 我一些什麼。<br />
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<br />hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-45033962331701143272017-08-13T11:19:00.000-07:002017-08-13T11:19:41.475-07:00「講小會」飯局又來了。【追憶 mode】<br />
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品亮說,「你近來很懶,在這個專頁好少寫東西。」<br />
我承認,係。太忙了,英超西甲球季又開始,時間愈來愈少啊。而家我大部分時間,都是睇占星資料有關的書籍。<br />
今晚,大家有聚會了,總算有機會寫一點。<br />
這個聚會,是十多年前「講小會」成員的飯聚。<br />
很難得的一次,這麼人齊。<br />
「講小會」是當年大家組織起來的「寫作研討會」。<br />
我們認爲書寫認真唔講得小,於是簡稱爲「講小會」,<br />
也含有講小說之意。<br />
下一次聚會也敲定,大約個半月後,前往其中一成員的新居,<br />
house warming, 可能大家齊齊煮飯仔。聽說新居遠離市區,<br />
風景優美。大家聽到心郁郁。hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-35047758446606850682017-08-01T10:17:00.000-07:002017-08-01T10:17:16.000-07:00鯨淵深處<br />
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【詩興MODE】</div>
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今年心雪的生日帶來詩興。</div>
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本來一揮而就,但因換手機,文件流失了,要重新寫過。結果,需時半個月後才完成。<br />
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天生愛鯨,寫過鯨的小説,也應寫番首鯨詩吧。</div>
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全詩刊於八月號的[香港文學]。<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgivvuhftSzGvzPfGPlCZnv4bhnLTUDB0qBf-bRo4Nr_DPeJMC0Q-GJY2dm2SvQcuUbxOg6rp3GznYURTmFuDkfbtFV_HQM8_GYNmZD1pGu9qnwTzUfg8GIGmLw3_mvPFuF7HZO9q9IlyZJ/s1600/New+Doc+2017-08-02_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1147" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgivvuhftSzGvzPfGPlCZnv4bhnLTUDB0qBf-bRo4Nr_DPeJMC0Q-GJY2dm2SvQcuUbxOg6rp3GznYURTmFuDkfbtFV_HQM8_GYNmZD1pGu9qnwTzUfg8GIGmLw3_mvPFuF7HZO9q9IlyZJ/s400/New+Doc+2017-08-02_1.jpg" width="286" /></a></div>
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鯨淵深處</h2>
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<span style="font-size: 23.84px;">你輕輕推移</span></div>
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海洋之方角</div>
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閃向鯨淵</div>
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我到處奔跑</div>
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波浪齒輪陳列了</div>
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是波浪齒輪在奔跑</div>
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是我陳列了</div>
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當你隨意翻開一頁風雨</div>
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你說是三千年前</div>
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我說應是三千年後</div>
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之日升或日落</div>
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升在落的地方</div>
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落在升的居所</div>
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體與體之間</div>
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交談 疊疊兮</div>
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疊疊之無奈</div>
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到底 脣溫如水</div>
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善上如天</div>
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唉 何來語言</div>
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何來沒有</div>
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原來沒有</div>
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何來三千年</div>
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之探戈</div>
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記憶真快</div>
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快如一夜</div>
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碎月</div>
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無聲</div>
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hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-13161426575529893292017-07-21T08:36:00.001-07:002017-07-21T08:36:34.227-07:00魚尾泡飯<div>
【煮魚mode】</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6bXM_d_bEDy5jh12zuX_li0q7RXo95BldkU2T6hum73J8BCekP7US3rEo3RF1Lh1DGmUDCvLORPtnGr59pZq5yAbk_pcSOgTT95uMifT0-B2e9aEBHEgZKYR9cHJTxyj4hAiKHB9yaXG5/s1600/20170721_233447.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1562" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6bXM_d_bEDy5jh12zuX_li0q7RXo95BldkU2T6hum73J8BCekP7US3rEo3RF1Lh1DGmUDCvLORPtnGr59pZq5yAbk_pcSOgTT95uMifT0-B2e9aEBHEgZKYR9cHJTxyj4hAiKHB9yaXG5/s320/20170721_233447.jpg" width="312" /></a></div>
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昨晚吃剩了大半飯,弄什麼午餐呢?<div>
冰箱有雞蛋,有魚尾。</div>
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最佳選擇當然是來一個魚尾泡飯了。</div>
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先將魚尾斬爲三份,灑上鹽後落鑊連薑片煎至七成熟,撈起魚,薑留下。不用洗鑊,馬上加一碗水,再加冷飯,這樣,剛才鑊氣仍在也,所謂鑊氣就是薑加魚味。要用生鐵鑊,否則談不上鑊氣。</div>
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待湯飯滾了,纔再把魚放下,再煮兩分鐘,魚味出來了。加蔥粒倒少許米酒,最後是胡椒粉。趁熱吃,無得頂。</div>
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不少人以爲煮魚加薑,是爲了去腥味,其實不止此,喜歡吃魚自然不怕腥味也。原來魚要配薑味纔達到鮮美的極致。</div>
hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-11130024957661440842017-07-16T01:11:00.000-07:002017-07-16T01:14:26.898-07:00悼劉曉波【哀悼Mode】<br />
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我寫這首短詩時,劉曉波還在生。<br />
他拉著長長的線,最後還是中斷了。<br />
原詩刊於明報世紀版:2017年7月16日<br />
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<br />hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-5977899267887559512017-06-24T12:21:00.002-07:002017-06-24T12:21:22.289-07:00結緣於貓 賺來墨寶<div class="clearfix fbPhotoSnowliftAuthorInfo _xlu" style="background-color: white; color: #1d2129; font-family: Helvetica, Arial, sans-serif; font-size: 13px; margin-top: 0px; padding: 16px; position: relative; zoom: 1;">
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<tr><td class="tr-caption" style="text-align: center;">Raymond 寶貝貓之一<br /><br /></td></tr>
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今天要爲「憂鬱甜品」換下顏面了。</div>
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這次有幸邀請了Raymond Chan 賜我墨寶。</div>
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因爲情緒影響,還不及趁早換招牌,他已在臉書揭露了。於是連忙把舊的撤換了。</div>
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Raymond 稱我爲「奇人」,我被戴上這個稱號,似乎還是首次。想想下,又唔多係。</div>
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半年前吧,一位訪問過我的女性,事隔數年後重逢,她請我吃飯,她也說我是「奇男子」一個。</div>
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哈哈,其實,我「<span style="font-family: inherit; font-size: 13px;">奇</span><span style="font-family: inherit; font-size: 13px;">」在那裏呢?</span></div>
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2011年「百姓文學雜誌」特別爲我做一個專輯,封面赫然寫上「不老的崑南」。</div>
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講真,一個人點會唔老,尤其近這兩年,身體開始變化了,視覺倒退,聽覺不靈光,</div>
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平日不能站得太久等等,託賴的是頭腦清醒,思路不絕,求知欲望不減。於是乎,</div>
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創作力仍可扶搖直上。不老,在於我這顆心吧。</div>
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年前拍港臺的「作家華人系列」,完成後,導演告訴我,監製睇完剪片後,</div>
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便問導演,「你有沒有把聲帶加快呀?」爲何會這麼一問?原來對方認爲我這</div>
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把年紀交談時,怎會講得咁急,反應咁快。</div>
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我自己當然不覺得「奇」啦,這些歲月,我都一直是這樣的啊。</div>
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話說回來,這次獲得Raymond 答應爲本網誌題字,十分感謝。貓緣開始,</div>
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見面三次,自從在臉書看過他的書法後,我和他的距離拉得更近了。</div>
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他大筆一揮的「憂鬱甜品」四個字,草行兼備,在我眼中,變了愛鬱甜品,</div>
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而那個「品」字之結聚,其實是聚而放,放而收,氣勢動人之至。好喜歡。</div>
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在這專頁,我曾訪問過他,大家還記得嗎?</div>
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hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-90553925934986670142017-05-16T09:57:00.000-07:002017-05-16T09:57:01.390-07:00羅馬網球大師公開賽<br />
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羅馬網球大師公開賽,今屆如常在五月中舉行。已開始在電視直播了。</div>
正看著的一場是Goffin,贏得第一場勝利。<br />
近年這位網球手已回勇,再進入世界前十名內。<br />
希望不是年年都是費特拿那麼悶。<br />
但此刻我想講的是羅馬網球場。<br />
羅馬網球場真是十分吸引,根本不似網球場,而是一個花園。<br />
可不是嗎?周圍是樹,是出名的石松,外形像一棵棵傘, 樹與<br />
樹之間,是一座座藝術彫像,最奇妙的是座位的頂層,就是<br />
馬路一部分似的,人來人往,附近的一層高樓天臺,還可站滿人向下觀賽。外圍的人,要不要收費的呢?<br />
大自然與藝術共冶一爐,這種比賽,真是高度文明的結晶,令人神往。hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-29773212992038030792017-04-28T11:05:00.000-07:002017-04-28T11:05:14.953-07:00對於我,命運轉捩點的一天。[歷史 Mode]<div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIE0JfyXHMDtGeSojMwILida9hJIi3pMP30aH5xsnFDd5k5ucoft6LJsZAnJsWZ9U9wvqkfDDHjaIw-f5QD93i2fgZ0UfslmtMQqAwFYRvtPBODCuP-5mvXWEabtiClOF-SBuFrDPbu5nP/s1600/20170429_012022.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIE0JfyXHMDtGeSojMwILida9hJIi3pMP30aH5xsnFDd5k5ucoft6LJsZAnJsWZ9U9wvqkfDDHjaIw-f5QD93i2fgZ0UfslmtMQqAwFYRvtPBODCuP-5mvXWEabtiClOF-SBuFrDPbu5nP/s640/20170429_012022.jpg" width="640" /></a></div>
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終於出土了,還以爲今後都看不到的了。</div>
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就是這張照片。五十多年前。</div>
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正確日期有待追查。</div>
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當年,還是念書的日子,我在「星島日報」的學生園地,經常投稿。獲得老編胡輝光先生厚愛,稿也經常刊出。</div>
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我全情投入,發起讀者旅行,一呼百應。</div>
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地點,我記得好像是蝴蝶谷。</div>
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這張照片,引證就在這次旅行,我結識了王無邪和葉維廉。</div>
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前排左一是王無邪,我站在他身後。後排第一個就是葉維廉。</div>
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有人拿著的小旗,上面便寫著「星島日報學生園地旅行團」。</div>
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沒有這次聚會,就沒有「詩朵」,沒有「現代文學美術協會」、也沒有「好望角」的誕生了。</div>
hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-63089926028988026092017-04-27T05:55:00.001-07:002017-04-27T05:55:38.381-07:00文學是與生俱來的信仰【文學信仰Mode】<br />
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昨天在城大的一次talk, 幸好,過程順利。<br />
說真的,我從來不是一個慣於在公開場合講話的人。善於表述思維不在咀巴,而在我手,從前是手拿筆,現在是手按鍵盤。最重要一點是,我一直認爲,作爲一個文字創作者,最好還是把自己關起來創作,而不是把時間花在露臉說東說西。當成爲文字推售員的角色,心情是相當難堪的。對不起,教無類,不是我的責任與工作。<br />
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所以,類似的talk, 難得會有第二次。<br />
而這一次,關乎文學的,我想講的也全講了。<br />
其實,只是講我自己,我自己走過的路。絕無傳授之意。<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9XkxUI6sk826g_fO4q98xqOJc3ccwMX11y2wJNYbfw_oTsCxpS8k14oOzyDr-yfkMH6u6AfJp4SEaxRsmJXLKgJL7VniPS0gwj6UD4xVt7GEDkZo6-PVnQqfYIC9VBreBIjwycG5npsy1/s1600/IMG-20170426-WA0001.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9XkxUI6sk826g_fO4q98xqOJc3ccwMX11y2wJNYbfw_oTsCxpS8k14oOzyDr-yfkMH6u6AfJp4SEaxRsmJXLKgJL7VniPS0gwj6UD4xVt7GEDkZo6-PVnQqfYIC9VBreBIjwycG5npsy1/s640/IMG-20170426-WA0001.jpg" width="356" /></a>正如在場我提出我的三大創作座右銘:1.堂吉訶德與風車作戰;2. 推石上山神話:3. Samuel Beckett 的 Waiting for Godot. ——挑戰傳統、享受孤獨以及堅守信念。<br />
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文學是什麼,或文學是爲了什麼?<br />
沒有定義,不需要理論基礎,而是透過創造者本身的磨練過程 而萌芽及誕生的。每一位偉大作家都樹立他的文學世界。<br />
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每一個年代,無論創作生態如何惡劣,都會出現其代表性的作家。處於眼前的數碼橫行的年代,一個真正的創作者,是不應受影響而自毀的。<br />
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(下圖:現場powerpoint 示范圖之一)<br />
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<br />hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-23002211871871224592017-04-05T17:11:00.000-07:002017-04-05T17:11:05.223-07:00辜健筆下記憶中的崑南<div>
【記憶mode】</div>
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友人傳來一份剪報jpg., 是古劍當年寫關於我的。<div>
古劍,是「文藝世紀」的編輯,我有好幾篇小說及評論,都在那裏刊載過。我認識他,是在韓中旋和陳子多時代的「成報」,寫過專欄,連載過小說,以及不少雜文,如遊記,占星等的「成報」,那應是我活躍香港報紙副刊(包括「東方日報」)的一段得意日子。</div>
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我記得,是在成報周年報慶的宴會上認識古劍(他的真名是</div>
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),緣份就是這樣,之後,與葉輝合作時,再與老辜遇上了。他定居珠海時,我還探過他好幾次。我們都是性情中人,無所不談。他是我認識中最有眼光和胸襟的編輯之一。</div>
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聽聞,他的眼疾,也不輕,隱於家中,看書,寫文壇舊憶紀事,甚少外出了。他的主要作品有「香港記憶」與「書緣人間」。</div>
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<span class="notranslate">從網上看到有關他的簡介如下:作為一名多年的文藝副刊編輯,辜健的人生經歷可謂相當豐富。</span> <span class="notranslate">他1939年出生於馬來西亞,幼年隨父親回國,1957年從廈門一中考入華東師大中文系,1961年大學畢業後分配到華僑大學教書,再後來下放到廣東陸豐勞動。</span> <span class="notranslate"><span class="google-src-text" style="direction: ltr;">1974年移居香港,</span> 1974年移居香港,1975年之後開始進入報館工作,1979年進入當時香港發行量第三的報紙《新報》,此後先後出任《良友》雜誌執行主編、《東方日報》及《成報》副刊主編。</span> </div>
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hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-60454952207632844032017-03-28T08:21:00.003-07:002017-03-28T08:21:35.579-07:00大哉驊騮也[大哉mode】<br />
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先前藝術節,有個音樂會采用了部分我的一首長詩,這首長詩,就係「大哉驊騮也」,原詩刊於「中國學生周報」,日期?是63年之事,次年修正。纔發表。<br />
原來版本已散失了,幸得小克有剪存,留下影像。<br />
那段歲月,我寫好幾首長詩,蔡炎培經常強調,我最佳的長詩 是「賣夢的人」,我並不同意,「大」詩是我最得意的一首,因爲我成功借用古典語言發揮現代意識之創作。<br />
但我恐怕語言較深奧,沒有多少讀者會明白詩中所表達的內涵。當有人談及我的詩創作,而不提此詩,就說明了他的品味有問題。<br />
不重要了。大哉,始終是大哉。<br />
<br />
原圖不清晰,還是貼上原詩的文字檔。<br />
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<div class="tm5 Normal tm6">
<br /></div>
<div class="tm5 Normal tm6">
<span class="tm7"></span><span class="tm7">大哉</span><span class="tm7"> </span><span class="tm7">驊騮也</span></div>
<div class="tm5 Normal tm6">
<br /></div>
<div class="tm5 Normal tm6">
<br /></div>
<div class="tm5 Normal tm8">
<br /></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">投影乃茂盛之節拍</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">暗而涼而平之春分</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">吾等心動</span><span class="tm11"> </span><span class="tm11">就此攜風</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">穿</span><span class="tm11">越雲川萬萬</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">才華如英</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">昂藏七尺之掌擊</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">陽光脫弦</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">無聲結集</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">吾等遂踏樹而歌</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">眸飄明色</span></div>
<div class="tm5 Normal tm10">
<span class="tm11">(</span><span class="tm11">有人拔山奔來</span><span class="tm11">)</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">煮海行列</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">臨南壯志</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">隆然</span><span class="tm11"> </span><span class="tm11">看快哉</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11"> </span><span class="tm11">大哉</span></div>
<div class="tm5 Normal tm10">
<br /></div>
<div class="tm5 Normal tm10">
<br /></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">之後吾等走進月燒城市</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">一揚手 快樂隨車疾流</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">看不起</span><span class="tm11">懸</span><span class="tm11">吊之焦慮</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">軌上殖民之塵埃</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">更</span><span class="tm11"> </span><span class="tm11">群街無顏泣笑</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">吾等抗拒石覆太陽</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">全程瘟疫</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">能飛躍高高遠遠</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">破泰山或鴻毛之橫木否</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">一片路誌</span><span class="tm11">(</span><span class="tm11">無浪頭無犬尾</span><span class="tm11">)</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">指燈外之禁場</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">羅盤東方屹立</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">殷然偉物</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">化石怒目</span></div>
<div class="tm5 Normal tm10">
<br /></div>
<div class="tm5 Normal tm10">
<br /></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">天火退</span><span class="tm11"> </span><span class="tm11">意外朝代發酵</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">有焚書有焚琴有焚門</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">去</span><span class="tm11"> </span><span class="tm11">舉攀成鳥</span><span class="tm11"> </span><span class="tm11">一島摩天廢墟</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">迎旗午</span><span class="tm11"> </span><span class="tm11">吾等銜卵築涯角</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">振翅環柱 </span><span class="tm11"> </span><span class="tm11">環柱</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">噫</span><span class="tm11"> </span><span class="tm11">歷史距離冰固</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">野志扶摶心颱</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">吾等遂星化仙化</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">挾傳統斜塔及逆叛鵲橋</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">超蠶孔棠葉</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">如此去</span><span class="tm11"> </span><span class="tm11">貼縫中華</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">置於枕側</span><span class="tm11"> </span><span class="tm11">做漢夢唐夢</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">或摺成紙帆</span><span class="tm11"> </span><span class="tm11">閉性立茅</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">入人外洞</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">轉念</span><span class="tm11"> </span><span class="tm11">沙數童年</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">於魂魄甬道上</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">亮畫架水山一物之奇蹟</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">變變手 </span><span class="tm11"> </span><span class="tm11">一粟運命</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">有千臂者</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">仿后羿</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">仿咒</span></div>
<div class="tm5 Normal tm10">
<br /></div>
<div class="tm5 Normal tm10">
<br /></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">另一季 </span><span class="tm11"> </span><span class="tm11">吾等伏危於旱</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">符滅──龜雷並裂</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">下下卦</span><span class="tm11"> </span><span class="tm11">神人亂曰</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">指尾兇象</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">耕非吾土之土</span><span class="tm11">(</span><span class="tm11">追並出之十日耶</span><span class="tm11">)</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">突然葬禮冒升</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">肢體如枝扶持年歲</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">乙座爝燄時鐘</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">狂鳴求愛骨形之無恥</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">能否借典</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">借遺像</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">畫大業團圓</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">然後待陰 </span><span class="tm11"> </span><span class="tm11">待雪</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">待億兆圓寂</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">今夕吾等霹靂</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">筆言寺之風景</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">言兌之風景</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">倉頡倉頡</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">吉頁吉頁</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">吾等乃</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">活</span><span class="tm11"> </span><span class="tm11">存</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> (</span><span class="tm11">這一季 </span><span class="tm11"> </span><span class="tm11">果實盈天</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11"> </span><span class="tm11"> 書如雨下</span><span class="tm11">)</span></div>
<div class="tm5 Normal tm10">
<br /></div>
<div class="tm5 Normal tm10">
<br /></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">畢竟中國依然中國</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">少年依然</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">英雄依然</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">山青青水綠綠亦依然</span></div>
<div class="tm5 Normal tm10">
<span class="tm11">(</span><span class="tm11">誰知粒粒皆辛苦</span><span class="tm11">)</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">吾等伏櫪工作</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">忙於抱負體積 </span><span class="tm11"> </span><span class="tm11">嗚呼</span><span class="tm11"> </span><span class="tm11">工作</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">徽號靈劍長運</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">一快震天下</span><span class="tm11">(</span><span class="tm11">書生一介書生</span><span class="tm11">)</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">磅礡人籟</span><span class="tm11">(</span><span class="tm11">見之調調見之刁刁</span><span class="tm11">)</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">飛墜千仞之隱機</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">此時吾等窮數文化年輪</span></div>
<div class="tm5 Normal tm10">
<span class="tm11">(</span><span class="tm11">上古有大椿者以八千歲為春)</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"> </span><span class="tm11">伏鐔鋏悲憤不已</span></div>
<div class="tm5 Normal tm10">
<span class="tm11">(</span><span class="tm11">維多利亞山巔 </span><span class="tm11"> </span><span class="tm11">有勇士居焉</span><span class="tm11">)</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">吾等動身</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">天地畢羅於眼前</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">吾等傲倪</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">獨曲全</span><span class="tm11"> </span><span class="tm11">獨往來</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11">獨獨</span></div>
<div class="tm5 Normal tm10">
<span class="tm11">因騏驥也 驊騮也</span></div>
<div class="tm5 Normal tm10">
<br /></div>
<div class="tm5 Normal tm10">
<br /></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11"> </span><span class="tm11">六三年八月初</span><span class="tm11">稿</span></div>
<div class="tm5 Normal tm10">
<span class="tm11"></span><span class="tm11"> </span><span class="tm11">六四年三月</span><span class="tm11">修</span><span class="tm11">改</span></div>
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<br />hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-20476063464718262592017-03-15T12:11:00.000-07:002017-03-15T12:11:05.057-07:00飲江贈詩:明日之後之特過特朗普(給崑爺)【詩人mode】<br />
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(圖左:飲江是近年詩朗誦會的常客,不乏女粉絲。)<br />
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月前某一天,前往坪州參與一個午餐飯局,島上詩 人飲江,親身在碼頭恭候我們,稍後,又邀約了另一島上詩人鄭單衣,大家歡渡了一個非常愉快,難忘的一天。話題離不開詩,飲江忽然說,正要寫一首詩給我。我還以爲是戲言,因爲通常他說東時可能是西 ,猜謎,玩字,是他的高能量,所以,只要有他在席,必不會有悶場。料不到,這次,真的假不了,給我的作品刊於今期的「大頭菜」。非常感激。他的詩精彩,真正係「特過特朗普」。<br />
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此刻,再讀清楚,原來,原詩去年尾已動筆,前後修訂兩次。<br />
全詩我最喜歡邊兩句,飲江一定猜不到。<br />
我喜歡的兩句是:<br />
自己與異己<br clear="none" style="outline: none !important; user-select: text !important;" />得番你同佢<br />
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(上圖:當日飯局錦蘋請客,左;特別嘉賓是綠騎士,我剛巧戴上了紅帽子,與她們穿上紅衣,十分相配,值得拍照留念也。)<br />
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明日之後之特過特朗普(給崑爺)<br clear="none" /> <wbr></wbr> <wbr></wbr> 「每一個明日之後 <br clear="none" /> <wbr></wbr> <wbr></wbr> 總有一個明日之前」<br clear="none" /> <wbr></wbr> <wbr></wbr> (羊皮•古卷)<br />
飲江<br />
<br clear="none" /><br clear="none" /> 特過特朗普<br clear="none" /> 朗過朗奴列根<br clear="none" /> 普過普通話<br clear="none" /> 加普洱紅茶<br clear="none" /> 難怪佢個女<br clear="none" /> 人人想約會<br clear="none" /><br clear="none" /> 核戰有翌日<br clear="none" /> 天堂舞哉足下<br clear="none" /> 都不再重要<br clear="none" /> 自己與異己<br clear="none" /> 得番你同佢<br clear="none" /><br clear="none" /> 愁時獨向東<br clear="none" /> 講D乜嘢好呢<br clear="none" /> 傾D乜嘢好呢<br clear="none" /><br clear="none" /> Once upon a time <br clear="none" /> In 墨西哥 <br clear="none" /><br clear="none" /> In America<br clear="none" /><br clear="none" /> 一套電影<br clear="none" /> 大家都睇過<br clear="none" /> 一套電影<br clear="none" /> 回到未來<br clear="none" /> 平衡時空一個吻<br clear="none" /> 或牽手<br clear="none" /> 極短篇<br clear="none" /><br clear="none" /> 斗轉星移<br clear="none" /> 地的門打開<br clear="none" /><br clear="none" /> 美麗女兒<br clear="none" /> 拯救美麗新世界<br clear="none" /> 和美麗<br clear="none" /> 女主角<br clear="none" /><br clear="none" /> 這是真人改編的電影<br clear="none" /> 這是真人改編的總統<br clear="none" /> 這是真人改編的時空<br clear="none" /><br clear="none" /> 我們是真人改編的觀眾<br clear="none" /><br clear="none" /> (幕僚長說<br clear="none" /> 幸好特朗普女兒<br clear="none" /> 夢中一堵牆走出<br clear="none" /> 特朗普總統<br clear="none" /> 最終行埋一邊<br clear="none" /> 而沒有行差踏錯)<br clear="none" /><br clear="none" /> 當然中間許多<br clear="none" /> 恩怨情仇<br clear="none" /> 算計與感動<br clear="none" /> 慾望倫常一念天堂<br clear="none" /> 一念地獄<br clear="none" /><br clear="none" /> (那雙準備按掣的手<br clear="none" /> 重又放在琴鍵上)<br clear="none" /><br clear="none" /> 千鈞一髮<br clear="none" /> 豎琴彈響<br clear="none" /> 諸天頌唱<br clear="none" /><br clear="none" /> 啊<br clear="none" /> 看那人<br clear="none" /> 几乎行差踏錯<br clear="none" /> 而終究沒有<br clear="none" /><br clear="none" /> 行差踏錯<br clear="none" /><br clear="none" /> 3\12\2016<br clear="none" /> 12\12\2016<br clear="none" /> 15\1\2017(修訂)hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-80278094665725521902017-03-01T10:31:00.001-08:002017-03-01T10:31:37.170-08:00紀念本土詩人小克<div>
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<tr><td class="tr-caption" style="text-align: center;">上:小克鏡頭下的崑南。下:小克的詩作</td></tr>
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今天收到了阿珍寄來小克的詩,是他生前寫給在港諸友。<div>
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算是一張明信片,一個紀念。</div>
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就是這麼巧,也是今天,小克多年前為我拍下的一張黑白特寫</div>
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,也突然從舊物箱中出現了。</div>
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是的,多年前,當年還沒有數碼相機。</div>
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多年前,那些日子,我還以為他會終生寫詩下去。</div>
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原來之後,他醉心攝影,他是否曾舉辦過攝影展,就記不清楚了。</div>
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我希望今後當人家談及本土詩人時,不要忘記小克(張景熊)這個名字。</div>
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hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-55407950218799963432017-02-26T04:06:00.000-08:002017-02-26T04:06:04.615-08:00《星聲夢裏人》具備現代小說元素<br />
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<span style="font-size: 21px;">書在燃燒</span></div>
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<span data-select-like-a-boss="1" style="font-size: 21px;">《星聲夢裏人》具備現代小說元素</span></div>
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<span style="font-size: 21px;">(原刊於明報周日讀書版)</span></div>
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<span style="font-size: 21px;">相信讀者中不少人已看過這部電影吧?我是指《星聲夢裏人》(Lalaland)。這部歌舞片已獲威尼斯影展、多倫多影展、廣播影評人協會等多項榮譽,至於金球獎和奧斯卡金像獎的提名,尤其後者,已是難得的紀錄。</span></div>
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<span style="font-size: 21px;">也許有人不同意把《星》歸類爲歌舞片,我認爲這個爭論並不重要。重點在全片精髓正是</span><span style="font-size: 24px;"><span style="font-size: 21px;">戴米<span style="background-color: #f8f9fa; color: black; display: inline; float: none; font-family: sans-serif; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">恩·查澤雷(</span></span></span><span style="font-size: 21px;"><a href="https://en.wikipedia.org/wiki/Damien_Chazelle" style="-webkit-text-stroke-width: 0px; background-color: white; background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; font-family: sans-serif; font-style: normal; font-weight: normal; letter-spacing: normal; orphans: 2; outline: none !important; text-align: start; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;" title="Damien Chazelle">Damien Chazelle</a>)的</span><span style="font-size: 20.88888931274414px;">自編自導,借</span><span style="font-size: 21px;">歌</span><span style="font-size: 21px;">舞形式完成令人一新耳目的組合。故事男女主角被安排爲爵士樂手與演員,說明他們的生活離不開音樂藝術的思維,是自然不過之事。</span></div>
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<span style="font-size: 21px;">電影鏡頭調度與主題表述隱藏著文學元素,我個人就看出故事骨幹具備小說格局,尤其春夏秋冬四個組曲中的《冬》,五年後,女主角已爲人妻人母,料不到拖著夫婿,無意進入男主角的音樂俱樂部中,再一次相遇,導演巧妙地插入女方的一段甜蜜回憶,幻想如果身邊的丈夫是眼前正彈奏著的舊情人,又會不會同樣出現美滿的結局呢?最後,昔日攜手進入酒吧的鏡頭,把兩個時空拉在一起,堪稱一絕的交疊處理。</span></div>
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<span style="font-size: 21px;">寫戀人重逢的情節,有點像《青春夢裏人》,但結尾沒有唏噓與無奈,女主角離開前回首,與舊戀人對望,不是淡淡的哀愁,而是結緣的喜悅。兩個藝術同行者的追夢,包括愛情與事業,在現實世界中的爭扎與苦惱,最後各奔前程.....這確是個平凡故事,但在編導的精心營造下,成爲雅俗共賞之代表作。</span></div>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-6673736467954002802017-02-05T23:07:00.000-08:002017-02-05T23:12:12.018-08:00香港文學「騷動」我心香港文學「騷動」我心<br />
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(原刊於明報周日讀書版)<br />
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當「香港現代主義文學與思潮」拿在手中,閱讀未逾半,已湧起無限的感觸。作者鄭蕾仿佛在重刻一幕又一幕我早遺忘了的歷史場景,自然地勾起了我過去大半個世紀的大小記憶,因爲在她筆下的王無邪、葉維廉、李英豪、馬朗、蔡炎培等與我,都是在同一個世代成長。吉人天相,我們還存活著,雖然大家的道路早已分開了。這本專著,他們的反應如何,我不知道,但對於我,可以說,是一種莫名的「騷動」。</div>
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全書約三百頁,不算厚,但作者的野心是明顯的。香港文學或文學香港這樣的題材,實在很難寫。這個看法,曾與小思談起時,她也有同感。王德威評述陳國球的「香港的抒情史」時,說得更徹底:「香港的歷史就是文學史,百年浮華、欲望、背叛、妥協和抗爭,只有文學的豐富曲折纔能點出歷史的曖昧複雜。」她所花的心血,在每一頁都浮現出來。書中六十多頁的附錄,便是個佐證,她輯集了「詩朵」、「新思潮」、「文藝新潮」、「好望角」等刊物各期的目錄,更難得的是,李英豪在不同報刊撰寫過的文章條目,也搜羅在一起。作爲文論,資料充足,理所當然,最重要的是如何處理及論述資料背後的歷史脈絡。葉輝在他的「書寫浮城」,曾這樣寫:「<i>香港文學一直自生自滅,既無支持及鼓勵 ,在經濟掛帥的社會受到冷待,也不需要面對像國內及臺灣作家那樣,遭受政治壓力乃至政治逼害....在惡劣的文化生態中竟也出現了奇葩的生機。</i>」這是個事實,雖然不是人人可察覺或認知的事實,如果大家有機會閱讀鄭蕾這部大作,必然更加會深入了解及見證那個年代,那段歷史的來龍去脈。</div>
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全書的成績到底如何?我是書中人物之一,不方便說,還是引用寫序的陳國球的話吧:</div>
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.<i>.....第一本著作已經擲地有聲,她對「文學香港」的刻畫,可謂精準入微;想是目既往還,心亦吐納。鄭蕾之作,優異之處不在於理論 工具和學術語言的純熟操作,這是寫過博士論文都不難掌握的初等技藝。鄭蕾讓她的書寫「在地」,讓「筆墨」與「地方」同感懷、同省思,纔值得珍視。這應是我城「抗拒遺忘」的浩大工程 所亟 亟 需求的。</i></div>
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作者在其結語指出:什麼現代或後現代 ,已成過時 的「術語」,已是一個「已經過去的價值觀」,但,最尾的一段,作者認爲崑南依舊追索「愛」,正如蔡炎培所表達的「情深」,也正如王無邪畫筆下出現「不盡的山河情懷」,於是,作者這麼總結: <i>在這一班 老友記的筆下,是一個追不實的「新夢」,也仍是最古老的舊夢。 </i></div>
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上面我說閱後那一陣莫名的「騷動」,就是這個意思。經歷了大半個世紀,起起伏伏的文學生涯,坦白說,已夠疲累了,我的「工作」(不敢說是使命)已結束了。其實,我已做過「逃兵」一次,一逃就十年。目前,不算是「逃」,而我已成爲局外人的感覺,這個感覺一直揮之不去。陳國球在其「香港抒情史」引用夏志清提出的「情迷中國」來描述五十、六十年代的香港現代主義運動人士,但到今天的我,回顧他在書中不時提及的「夢的證物」,只是一場夢吧了,仿佛從未真實地發生過,所謂「情迷中國」,對於我,只是焚掉青春的一個虛擬場景。</div>
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所謂「騷動」心情,也許大家也會聯想起福克納的巨著「喧譁與騷動」(Sound and Fury)吧, 對,就是Fury, 這個字表面是「憤怒」(Full of Anger),但經歷一段時間,Fury 本質的 Anger 便演變爲Ire,帶些忿慨的情緒了。中文轉譯爲騷動,可算神來之筆。大家不要忘記,這個書名原來是取自莎士比亞的麥克白一劇的一段:</div>
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<b><span style="font-family: "calibri light";"><a href="https://www.blogger.com/null" name="26" style="-webkit-text-stroke-width: 0px; background-color: white; color: black; font-size: medium; font-style: normal; font-weight: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><b>Life's but a walking shadow, a poor player</b></a><br style="-webkit-text-stroke-width: 0px; background-color: white; color: black; font-size: medium; font-style: normal; font-weight: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;" /><a href="https://www.blogger.com/null" name="27" style="-webkit-text-stroke-width: 0px; background-color: white; color: black; font-size: medium; font-style: normal; font-weight: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><b>That struts and frets his hour upon the stage</b></a><br style="-webkit-text-stroke-width: 0px; background-color: white; color: black; font-size: medium; font-style: normal; font-weight: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;" /><a href="https://www.blogger.com/null" name="28" style="-webkit-text-stroke-width: 0px; background-color: white; color: black; font-size: medium; font-style: normal; font-weight: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><b>And then is heard no more: it is a tale</b></a><br style="-webkit-text-stroke-width: 0px; background-color: white; color: black; font-size: medium; font-style: normal; font-weight: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;" /><a href="https://www.blogger.com/null" name="29" style="-webkit-text-stroke-width: 0px; background-color: white; color: black; font-size: medium; font-style: normal; font-weight: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><b>Told by an idiot, full of <i>sound and fury,</i></b></a></span></b></div>
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<b><span style="font-family: "calibri light";"><a href="https://www.blogger.com/null" name="30" style="-webkit-text-stroke-width: 0px; background-color: white; color: black; font-size: medium; font-style: normal; font-weight: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><b>Signifying nothing.</b></a></span></b></div>
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<b><span style="font-family: "calibri light";"><span style="background-color: white;"><br /></span></span></b></div>
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<b><span style="font-family: "calibri light";"><span style="background-color: white;">容我分兩個層次,解說一下我這個獨特的「騷動」情緒。在港臺拍攝「華人作家系列」有關我的一集預映那晚,播完後與在場觀眾對話。我曾這麼說,「也許大家看完這部片,會覺得我的作品總是離不開了情欲書寫,其實,這是一個假面,假面的後面,就是一直以來,我對不公義的社會制度的憤怒回應,也是這點火焰,未曾在內心熄滅過,支持我到了這把年紀仍創作下去。」</span></span></b></div>
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<b><span style="font-family: "calibri light";"><span style="background-color: white;"><br /></span></span></b></div>
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導演這部「天堂倒置腳下」的伍自禎也洞悉到這一點,片中我孤坐在人來人往的旺角區馬路中心,以及我半躺在草地上,伸腳直撐門常開這兩組鏡頭,足以代表了我的Fury狀態。 鄭蕾這部著作,每一章都牽動了我昔日之情懷,所以,今天的我不能不騷動。分別是,昔日的騷動是百分百憤怒,而今天的騷動,恐怕只不過是憤怒過後的忿慨而已。</div>
<div>
<br /></div>
<div>
此刻,讓我從頭再讀麥克白的臺詞:</div>
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<span style="font-family: "calibri light";"><a href="https://www.blogger.com/null" name="28" style="background-color: white; color: black; font-size: medium; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">....it is a tale</a></span></div>
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<span style="font-family: "calibri light";"><a href="https://www.blogger.com/null" name="29" style="background-color: white; color: black; font-size: medium; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Told by an idiot, full of sound and fury,</a></span></div>
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<span style="font-family: "calibri light";"><a href="https://www.blogger.com/null" name="30" style="background-color: white; color: black; font-size: medium; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Signifying nothing.</a></span></div>
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<span style="font-family: "calibri light";"><span style="background-color: white;"><i><b>這只是一個白癡訴說的故事,</b></i></span></span></div>
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<span style="font-family: "calibri light";"><span style="background-color: white;"><i><b>充滿喧譁與騷動,</b></i></span></span></div>
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<span style="font-family: "calibri light";"><span style="background-color: white;"><i><b>一個代表虛無的故事。</b></i></span></span></div>
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<b><span style="font-family: "calibri light";"><span style="background-color: white;"><br /></span></span></b></div>
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<b><span style="font-family: "calibri light";"><span style="background-color: white;">就是此刻,當回頭一望,人生只是行走中的影子</span></span></b></div>
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<span style="font-family: "calibri light";"><a href="https://www.blogger.com/null" name="26" style="background-color: white; color: black; font-size: medium; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><i>Life's but a walking shadow.....</i></a></span></div>
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莎翁這行詩道盡了世事滄桑。</div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-68806872418194937302017-01-27T09:42:00.000-08:002017-01-27T09:42:04.257-08:00新春試筆:歲兮年兮詩嚼日【試筆mode】<br />
<br />
第一次使用日本原子毛筆寫新春大字。<br />
當然,運筆時,在感覺上,不及傳統中國毛筆,但勝在乾淨,大致上也不錯。<br />
。<br />
每年大年夜前,我都習慣速寫幾行字,作爲私有揮春,自我祝賀。<br />
今次,好hea,好懶 ,只有四句:<br />
<br />
啼聲伏兮人語失<br />
汝伴七兮余戀一<br />
時兮運兮星吐月<br />
歲兮年兮詩嚼日<br />
<br />
試筆,獻醜了。<br />
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<br />hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-34190332139155300982017-01-22T04:42:00.001-08:002017-01-22T04:42:30.276-08:00閻連科新著反映魔幻化的中國閻連科新著反映魔幻化的中國<br />
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<br />
(原刊於明報周日讀書版)<br />
馬奎斯的小說,被譽爲新寫實魔幻主義的宗師,在他的作品裏面,充滿荒誕的情節,半神話式的場景,加上喻意鋪陳與人物安排,真真假假,讀者難以分辨。小說之所以謂小說,其實從來就是如此。在西方,fiction 一字,就是虛擬之義。<br />
<br />
然而,當今時局所呈現的政治生態,恐怕小說家筆下的構想,正加速地與世界的現實面接軌。一位書評家就說過,「就算世上沒有特朗普其人,我們的小說家都會創造一個這樣的人物。」真實的情況是:過去從不可能發生的,今天卻出現了。不可置信的事物,分秒地展現在我們的眼前。<br />
<br />
看過閻連科的新作,二十多萬字的《炸裂志》(中文版由上海文藝出版社出版,英譯名爲The Explosion Chronicles) ,必會發現上述的一番話,並非虛言,其實,這正是這一代大部分中國人的感受。「炸裂」一詞,原是韓文,人滿之患的意思。帶給了作者靈感。故事是寫一個鄉村的地方,如何在三十年期間成功地提升爲大都會。在這個過程中,發生了光怪陸離之事。主角被邀撰寫這個炸裂市的地方志,寫成後,市長不滿意,讀者方面也全是負面反應。很明顯,閻氏準確地借這個題材,隱喻這些年來中共如何把中國「打造」成一個面目全非的鬼域。閻氏說得好,「(當今中國)正走向永遠不會完的盡頭,也永遠找不到出口。」hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-25052904541193196132017-01-16T00:35:00.000-08:002017-01-16T00:35:10.086-08:00文學無答案 星座當工具 <br />
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<tr><td style="line-height: 37.5px;">今天找開電腦,偶爾尋回一篇舊文,2011年7月間接受明報訪問,當時,我剛出版「2012:我在哪裏」。真好,現在可以在這裏重刊一次,與大家分享。</td></tr>
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<tr valign="top"><td style="line-height: 37.5px;"><span style="color: #3399ff;"><b>作家訪問﹕文學無答案 星座當工具 ——訪崑南</b></span><img alt="2012 coverreaal" src="https://starsmatter.files.wordpress.com/2011/07/2012-coverreaal1.jpg?w=640" /><span style="color: #3399ff;"><b><br /></b></span><br />
<span style="color: #666666; font-size: x-small;">文章日期:2011年7月3日</span><br />
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「我係白羊、佢係人馬,我哋一定會好夾。」「千祈唔好揀天秤座男朋友,好花心架!」別以為講星座一定是婆媽嘢,一個城市、一個國家,原來同樣可以根據星座屬性,預測「運程」。<br />
曾幾何時,占星學是埃及、希臘、中國等古代文明裏最頂尖的腦袋才搞得懂的大學問。這天下午,看着作家崑南一頭甚有古風的瀟洒長髮,指點着至潮白色ipad裏的星盤暢論國家時局,成件事超現實得來又有幾分孔明再世feel。<br />
一九八九年初,當時已研究占星學十多年的崑南就在《經濟日報》和《成報》撰文,指出八九是轉捩之年,尤其國家領導人應提防五月間有動亂發生,要謹慎處理。因為他「夜觀天象」,預見五月時會有不尋常的「五星逆行」現象,冥王、天王、海王、土星以及水星都進入逆行狀態,直至六月五日後,水星才會開始回復正常。<br />
結果,在水星逆行的最後一天,六月四日,大家都知道發生了什麼事。<br />
占星理論推想「我不是神媒」<br />
是穿鑿附會還是真的孔明再世?「我不是神媒,只是從占星學的理論去推想,依據學理直說,我知道果個時間會發生一件大事,但也不能預言具體的結果。」<br />
還想問他估計今年七一會有多少人上街,聽到這句就打住了。不過崑南對星像與中港政治的關係確實甚有研究,本月中他就推出第一本占星學著作《2012﹕我在哪裏?》。除了從天文學數據探討近日甚囂塵上的二○一二末世論之外,另一主題就是分析中央與香港特區政府的命盤,看看二○一二以後的香港人前景。<br />
政府都有命盤?崑南說,占星學裏會以政權的成立日期計算,如特區政府是九七年七月一日成立,所以香港是巨蟹座,同一星座的有美國和法國,都是嚮往自由、追求民主的基地。<br />
中共四九年十月一日立國,便屬於天秤座。「竟然是天秤?」以我粗淺的星座知識,天秤人是最講公平、最重法治和道理的啊!「那你就要看看他的命盤了。」崑南撥幾下ipad,「你看這裏,中共誕生時水星和海王星極為接近,水星代表思想、海王星是欺詐之王,走得這麼近就是大話精一名,而且仲利用天秤座的優點、作公義狀去騙人,搬弄思想概念呢!」<br />
更巧的是,他把我們特首曾蔭權的命盤與中共放在一起比對,原來大家像極了,都是天秤座、而且水星和海王星靠在一起。想當年曾蔭權上台時,港人還以為這位前港英高官很公道呢!可惜沒有曾特首準確的出生時間,難以預見他下場如何。但香港這隻熱愛自由的巨蟹,被兩道蠱惑天秤壓着,「邊會有運行丫?」崑南說。<br />
雖難以未卜先知,但對於香港七一後的局勢,他則認為影響會比○三年的七一更深遠。他分析,今年夏至(六月二十二日)的香港星圖構成「大十字凶象」——天頂的冥王星,與下面的水星對峙,左邊的天王星與土星對峙,張力巨大而嚴峻。代表在位與權威的冥王與土星,都受對冲的行星牽制,顯示市民與政府之間的惡劣關係已白熱化。<br />
而如果合併看夏至星盤與香港的本命星盤,亦顯示流年的天王星(象徵反叛騷動)冲正香港的主星火星,互不相讓。流年羅睺與本命羅睺,同是二十三度而相刑,極有可能發生交通災難或警民衝突造成傷亡。<br />
反叛騷動並非香港獨有之象。崑南說,占星學上有「歲差年」的概念,又稱為大年(The Great Year),以春分為始,行完黃道十二星座一周就是一個大年,約需要二萬五千八百年時間,不同占星學家的算法略有差別。以一個大年有二萬六千年計算,除以十二,每一個星座年代便約為二千年。而近年正是世界由雙魚座年代轉入水瓶座的交界。雙魚座的主星海王星,象徵宗教、藝術等比較神秘模糊的事情,而水瓶座的主星天王星,則是顛覆、革命、爭取自由的象徵。因此,近年阿拉伯世界、中國各地的動盪革命此起彼落,以後世界的趨勢亦會圍繞這主題發展,人民和政府的對峙將不能避免。<br />
由於各占星學家對大年的算法有差別,準確來說哪年哪月開始世界踏入水瓶座年代,並無定論。崑南相信,二○一二這個流傳的「世界末日」年,正是下一個年代的開端。「可以說,過去二千多年的雙魚座年代,是神的年代;而水瓶座是人的年代。人在科技上取得極大進展,憑着人的智慧,將一一解決不少古老的問題。」<br />
轉變的關口總會有陣痛。崑南從星象上看不到二○一二年會有世界末日迹象,什麼「行星撞地球、南北極磁場掉轉」等滅頂之災,他認為不會發生。「走進一個新階段之前,應該是一連串的變化,例如經濟系統崩潰、國家政治變天、氣候變化與天災,可能會加快進行和更密集,但不會令人類滅亡。因為一個階段的終結等於另一階段的開始。」<br />
崑南五十年代開始文學創作、七十年代起研究占星學,是首個在本地報章雜誌中開設星座欄目的引進者,但原來他的文學與占星之路也有關連。「年輕時熱愛文學,相信藝術的力量可以改變世界,但原來不行。曾經有一段時間,我對文學好失望,整整十年都沒有正式的執筆寫作。學起占星來,起初是個性和興趣使然,後來發現占星可以是一個工具,幫你去找答案。文學是沒有答案的。世上不合理、不公平、苦難點解會發生?從占星上可以看到一個解釋,我當它是學問咁做。」<br />
星體對人影響 沒有科學證明<br />
他認為占星讓人更了解自己的個性和天賦才能,幫助找出人生發展的方向,避免浪費時間做不擅長的事,可以說是「生命的鑰匙」。一如所有占星者,他相信星體的運行與人類行為之間有着千絲萬縷的關係,「人是自然元素構成,星體也是元素」,大家都是宇宙的一部分,既然月亮可以影響潮汐、日蝕前後多有地震發生,為何星體對人不會有影響呢?只不過人類的科學發展還未能找到具體證明而已。<br />
信不信由你。過去一百幾十年,人類社會的變化翻天覆地,各方面的發展、衝突、變革的程度遠超從前的二千多年,說我們即將踏入另一個時代的確「似曾曾」,是否因為水瓶座與天王星之故?我想占星大概是啟發我們用另一種方式去看世界。宇宙浩翰,人類文明走完其中一個星座年代便要二千多年,區區一個彈丸城市裏某天有幾十萬人上街的確只能算是一堆「沙沙石石」;但如果我們相信天人之間有着某種有機互動的話,同為宇宙元素的一分子,我們這堆沙石也必定發揮了一些雖然微小、但確切存在過的影響。<br />
文 林茵<br />
圖 余俊亮<br />
編輯 曾祥泰</div>
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hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-38555577389683373962017-01-01T23:48:00.000-08:002017-01-01T23:48:53.620-08:00年終選書<br />
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<b>年終遷書推介資訊百花齊放</b></div>
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<b>(原刊於明報周日讀書版)</b></div>
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<b>每年年終的日子,大家便會在網站發現不少選書名單,來自四方八面</b></div>
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<b>。一些是個人的,一些是出版商的,更有一些是電子書銷售網,如亞瑪遜之類。所謂選書名單,就是向大眾介紹一年來最佳讀物。</b></div>
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<b>讀物的類別也不少,先分兩大范圍,小說與非小說,單是小說方面,就計有言情、驚悚、科幻、偵探、兒童故事等,其他就是傳記、新聞報導、金融、哲學、心理,包括漫畫等等。不用說,全部都有實體書與電子書之分,或兩者兼備。此外,還有一大堆什麼年來最佳十大暢銷書書榜,各大新聞網站都不會放過的。</b></div>
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<b>在英美等國家,實體書與電子書出版兩大工程,幾乎達成無縫結合,同時,銷售方面再不受傳統發行方式限制,不少愛書人士仍樂於購閱的。</b><b>如果你具英語水平,仍愛閱讀,真的不愁沒有讀物可作參考。</b></div>
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<b>不過,我認爲一個真真正正的愛好閱讀者,是不會受以上的推介而影響的,因爲平日都應經常留意書訊狀況,怎會到年終纔靠別人的指點纔去買書呢?事實上,那些推介大部分都是具宣傳成份,爲本身的利益而出發,與書本身的素質無關。不少本身是作家到此刻來玩這個遊戲,「演野」的心態居多,你若問我過去一年看過什麼書,我的答案是:新書幾乎沒有,因爲我重看不少經典,如加繆的、亨利米勒的、貝克特的、甚至有衝動想找回左拉小說的譯本。呀,還有納波哥夫,羅曼羅蘭,舊日世界的大師,已足夠輸溉了我整生的文學生涯。</b></div>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-42962227690056254362016-12-28T02:02:00.001-08:002016-12-28T02:02:25.214-08:00天冷煲粥,指定動作<h2>
【自得其樂mode】</h2>
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天時咁冷,午餐煲粥,是指定動作。</h2>
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在外邊吃粥,難得滿足。自已煮,根本沒有半點難度。半小時至四十五分的時間,便可完成。其實,除了粥底的要求外,最重要是粥料,粥料,一句講晒,必要新鮮。</h2>
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今天魚片粥,最易搞。買來魚尾,忘記叫魚販斬件,家中又沒有利刀,只能逐部分遲凌。有尾有魚皮,加鹽加味粉加酒,拌混,等十五至廿分,就ok 了。當然不能沒有薑絲與葱粒,尤其後者,我要好多。在外邊吃,單是這點,便難辦得到。給你一羹葱,已頂籠。但那些所謂葱粒,葱頭部分甚少,自然難嚐到葱之香味了。在家中弄生滾粥,話咁易。</h2>
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天冷吃粥,添加胡椒粉,暖胃,十分舒服也。這是老人家級的自得其樂,後生仔好難領略得到的了。</h2>
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hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0tag:blogger.com,1999:blog-8909073114650236217.post-11363454849354079322016-12-25T10:49:00.000-08:002016-12-25T10:49:10.161-08:00朗天的「五十自述」:小眾的命運<h2>
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朗天的「五十自述」:小眾的命運</h2>
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(原刊於明報周日讀書版)</h2>
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《真實的理想主義》是朗天的近作,在書中,他提及的所謂創作上的延擱,是作家應有的心理準備,其實,對於他的忠實讀者,恐怕一點也沒有這個感覺,因爲這些日子,朗天給人們的印象是:一年出版一本書的步伐,是相當穩定的。</h2>
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書名的副題是「五十自述」,明顯是帶著自傳的色彩,但又不完全是。以對答的形式表述,會容易吸引讀者追看下去。就算是自述,一如既往,大家能夠閱讀的都是有關思考方法,思維活動,思想再認等等,五十年的時間與空間,情感的生活爲何呢?我不必回答你,單看一下目錄就有答案。</h2>
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作者告訴我們:作爲一個行者,潛行者,追懺者的創作中自我考驗的歷程,再一次打開這個盒子。
全書共十七章,不用說,對於他的忠實讀者,大部分都有不少激發討論的地方,</h2>
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因篇幅之故,我獨對第十二章「小眾的命運」甚感興趣。讀後我纔覺得,原來對於「小眾」與「命運」,我與他卻有不同的想法。他對寫得太早,發表得太早這方面,自覺性很強。他認爲這種情況可能引來小眾的命運。</h2>
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毫無疑問,這是從思想論述的角度出發,從事文學創作的我來說,只顧埋首寫自己想寫的東西,在此同時,當然知道能夠迎合潮流口味,自然易於找到大眾讀者,而沒有做,因自我肯定了對人生價值的取向與塑造,一旦旁人不能接受,哈哈,對不起,只有一個原因,不是我的問題,是他們的問題。小眾?常態也</h2>
hkteensweeklyhttp://www.blogger.com/profile/03704197394162383271noreply@blogger.com0